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genevieve (1953) john gregson
marlene dietrich
fritz lang
all quiet on the western front
frank capra
richard attenborough
isabelle adjani |
more
"A thoroughly British film classic with a script by an American!"
directed:
produced:
running time:
scr:
phot:
mus:
mus dir:
making
I was about to suggest that this was the
kind of film only the British could
make - until I remembered that the
writer, William Rose, to whose script
the picture's success owed so much,
was an American. Nevertheless, in spirit, performance and execution
Genevieve is essentially British or even,
to narrow it down further, English. The
charming middle-class manners (e.g.
the scene when John Gregson nearly
ruins his chances in the race by courteously allowing an enthusiastic old gent
to bend his ear) are English; so are the
breezy cheerfulness, the laconic understatement and the appealing lightness
with which the whole question of sex is
touched upon and, having been
touched upon, is put very properly to
one side. Naturally these two couples
(Gregson and Dinah Sheridan, Kenneth
More and Kay Kendall) are sexually
interested in each other but, come,
come, let's not dwell on it.
The story is sheer simplicity: two vintage car buffs,
driving a 1904 Darracq (the eponymous Genevieve) and a 1904 Spyker
and accompanied by their respective
girlfriends, take part in the annual
London to Brighton rally and then
challenge each other to a race back to
the capital, the prize being Genevieve
herself. What transforms this from
merely a likeable romp to an enduringly loveable comedy is the mysterious
chemistry that sometimes occurs on
movie sets and makes everything blend
perfectly. The script is droll and witty;
the pace, building up from a leisurely
start, just right; and the performances,
especially that of the trumpet-playing
Kendall, are all that one could ask.
Kendall, a delicious light comedienne,
seemed to have the potential for international stardom and might well have
achieved it had not leukaemia caused
her tragically early death at the age of 33 in I959. (Note: the music - a harmonica score composed and played by
Larry Adler - was nominated for an
Oscar. But because Adler was persona
non grata with the House of Un-American Activities Committee, the
nomination was credited to - though
never claimed by - Muir Mathieson.
Academy records have since been
changed to give Adler his due recognition.)
GenevieveHenry Cornelius
Buy UK Dvd Special Edition [2002]
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