Alfred Hitchcock
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Dial M for Murder Repro. Film Posters
Milland's sinister sophistication catches the eye, but Kelly's subtly shaded suffering is superb. Cummings, who was "Mr Wooden" through much of his career, is, er, wooden in this as Kelly's lover, and has a rather fruitless part in the resolution of the melodramatics.
Hitch holds our attention throughout, a feat even more remarkable when you consider that much of the film is filmed in the one room. It has the feel of the stage play but Hitch makes it work to his advantage on the big screen. If I suggest that there are very few directors before or after him who could have done the same then I don't think I would get many arguments..
Filmed in Hollywood, it has a definate Hollywood feel to its Maida Vale setting - the colours are just too sumptious to be anywhere in London, but that adds to the charm of the piece.
Remade with Michael Douglas and Gwyneth Paltrow in 1998 as A Perfect Murder.
Dial M for Murder was filmed and briefly released in 3-D and if you look carefully, you will notice that the finger dialling 'M' in the murder sequence is actually a huge wooden replica. It seems that the 3-D process didn't work when the camera focused in on small details, so Hitch had a massive telephone and finger built (similar to the hand he constructed for Spellbound) to ensure that this important shot worked as effectively as possible. The movie was quickly released in a conventional, 'flat' version as the fad for 3-D ran its course. Dial M was reissued in 3-D in 1980 during a resurgence of interest in the gimmick, and fans can still see the attempted murder sequence in 3-D today, at the Alfred Hitchcock attraction at Universal Studios' Theme Park in Florida.
The 'M' that Tony dials refers to Maida Vale in North London, where the Wendices' apartment is located: in the '50s, different parts of London could be telephoned by prefixing the individual number with a code letter - in this case, 'M'.
Grace Kelly felt that her working relationship with the costume designer, Edith Head, was a particularly successful partnership.
Once again, Hitch decided to make a film of a play, in this case Frederick Knott's highly successful Dial M for Murder, which had been a massive hit in both London and New York in 1952.
Kelly as the wife was over 20 years younger than both her on-screen husband (Milland) and lover (Cummings).
Ages at the time of the release of the movie were:
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