01.12.11: American Icon - The Business of the Eye
b. 1930, Augusta, Georgia, U.S.A.
In 1954 he painted his first flag
picture. He had his first one-man exhibition in 1958 at the Leo Castelli Gallery, New
York. He was represented at the Venice Biennale during the same year. His picture Grey
Numbers also won the International Prize at the Pittsburgh Biennale. In 1959 he took
part with Rauschenberg in Allan Kaprow's Happening Eighteen Happenings in Six Parts.
He was included in the collective exhibition Sixteen Americans in the same year at
the Museum of Modern Art. In 1960 he began working with lithographs.
In 1961 he did his first large map picture
and travelled to Paris for an exhibition at the Galerie Rive Droite. In 1964 he was given a
comprehensive retrospective at the Jewish Museum, New York. The catalog included texts by
John Cage and Alan Solomon. He was represented at the Venice Biennale in the same year. In
1965 he had a retrospective at the Pasadena Art Museum, organized by Walter Hopps. During
the same year he saw a Duchamp exhibition and won a prize at the 6th International
Exhibition of Graphic Art, Ljubljana, Yugoslavia. In 1966 he had a one-person exhibition of
drawings at the National Collection of Fine Arts, Washington DC.
In 1967 he rented a loft in Canal
Street and painted Harlem Light using a tile motif. He also illustrated Frank
O'Hara's book of poems "In Memory of My Feelings". He was Artistic Adviser for
the composer John Cage and Merce Cunningham's Dance Company until 1972, collaborating with
Robert Morris, Frank Stella, Andy Warhol and Bruce Nauman. In that year he was represented
at the documenta "4", Kassel, designed costumes for Merce Cunningham's
"Walkaround Time" and spent seven weeks at the printers Gemini G.E.L., Los
Angeles. In 1973 he met Samuel Beckett in Paris. He moved to Stony Point, N.Y.
He was given a comprehensive
retrospective at the Whitney Museum of American Art, New York, in 1977, shown in 1978 at
the Museum Ludwig, Cologne, Musée National d'Art Moderne, Paris, Hayward Gallery, London,
and Seibu Museum of Art, Tokyo. He was represented at the Venice Biennale in 1978. In 1979
the Kunstmuseum Basle put on an exhibition of his graphic work which toured Europe. In
1988 he was awarded the Grand Prix at the Venice Biennale.
With Rauschenberg, he was one of the main formative influences on the New York variety of Pop Art. He uses painting, collages, assemblages of objects, plastice, metal, bronze, either seperately or combined, as in the bronze Beer Cans of 1951.
There is an example in London (Tate).
Jasper Johns grew up in South Carolina. He was drafted into the
army and stationed in Japan. Between 1949 and 1951 he studied at the University of South
Carolina, Columbia. From 1952 to 1958 he worked in a bookshop in New York. He also did
display work with Robert Rauschenberg for Bonwit Teller and Tiffany.
01.12.11: BIOG. II
Gallery
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